A few of us do, and we thought it would be fun to celebrate with a few lesser known images, since he was recognized as an artist and engraver long before he was known as a poet. We’ll begin with the 1820 portrait at left, by his friend John Linnell.
We continue below with Blake’s illustration for Canto I of Dante‘s Inferno. Why? Because we like Dante (see here and here, for starters) and, well, we also like lions. We also include his illustration of “David Delivered out of Many Waters,” because it’s fantastic, in the literal sense of the word, and also because we like seraphims, with two of their six wings crossed underneath them like they’re waiting on a street corner for a bus. (Blake seems to think they are cherubim, but we know better.)
Meanwhile, Time Out in London hasn’t forgotten the anniversary. Volunteers of Southbank Mosaics artisan studio have created 28 mosaics in tribute to the poet, which visitors can see on Centaur Street in Lambeth. The mosaics, under the tunnels near Waterloo station, show ten years’ worth of Blake’s output, created while he lived on nearby Hercules Road. Check it out here.
Now go back to your Thanksgiving drinking and eating and belching – but spare a few thoughts, anyway, for the ur-poet of the Industrial Revolution, who, through words and images, showed us the new horrors and timeless possibilities for man in a bold new era.