Is it “the best thing he ever wrote”? Nabokov thought so. Join us for Dostoevsky’s The Double on Monday, May 15!

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He’s nervous. Very nervous. Be there.

Our spring “Another Look” event at Stanford will discuss Fyodor Dostoevsky‘s The Double: A Petersburg Poem. The 1846 novella portrays the disintegration of a neurotic government clerk into two distinct entities – one toadying and nervous; the other self-assured, exploitative, and aggressive. Vladimir Nabokov, not usually a fan of Dostoevsky, called The Double “the best thing he ever wrote” and “a perfect work of art.” And so Another Look champions The Double as an overlooked masterpiece from a familiar author. It is our final event of the season.

We’ll have a special guest for the event: Russian photographer Lena Herzog will be joining us from Los Angeles. Some of you met Lena at our event with Werner Herzog for J.A. Baker’s The Peregrine. I interviewed her at that time for Music & Literature here. An excerpt, where she remembers moving to St. Petersburg as a teenager in 1986:

“Everybody wanted jeans, wanted to be a Westerner, but in the most superficial, shallow way. And yet it still was St. Petersburg. It still had walls and the canals that whispered with the voice of Dostoevsky. It still had culture and ideas and architecture. Saint Petersburg is such a beguiling city. … I loved to walk through the fog enveloping the cathedrals and canals, heart pounding, anticipating the gold-winged griffins on the Bank Bridge over the Griboyedov canal, which emerged from the fog as I walked past them.”

The discussion will take place at 7:30 p.m. on Monday, May 15, at the Bechtel Conference Center. We recommend the Vintage Classic edition, translated by Richard Pevear and Larissa Volokhonsky.

Acclaimed author Robert Pogue Harrison will moderate the discussion. The Stanford professor writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He and Lena will be joined by Monika Greenleaf, associate professor of Slavic languages and literatures. Many of you will remember Monika from our event on Joseph Conrad’s Shadow-Line, and some of you met Lena at our event with Werner Herzog for J.A. Baker‘s The Peregrine.

The preeminent Dostoevsky scholar of our times, Stanford’s Joseph Frank, said of the novella: “the internal split between self-image and truth, between what a person wishes to believe about himself and what he really is – constitutes Dostoevsky’s first grasp of a character type that became his hallmark as a writer.” The Double marks a turning point in the life of the author. While the book owes a debt to Nikolai Gogol, the younger author moves beyond social critique to the psychological drama that would become his trademark in the great novels that followed.

 

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