Posts Tagged ‘Herbert Lindenberger’

Farewell Prof. Herbert Lindenberger (1929-2018), a mentor of “animation and intensity”

Wednesday, October 3rd, 2018
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He gave “electrifying” lectures.

Herbert Lindenberger  died on October 1 at 89, of multiple myeloma. He was active till a few weeks ago, visiting museums and attending operas.

I met the Stanford professor of English and comparative literature … well, “met” Herbert Lindenberger.. eighteen years ago when I contacted him for a profile of Dana Gioia (you can read it here). He commented on his former student. We’ve spoken by phone more recently, and was a warm and lively presence, but we never got the face-to-face we’d discussed.

He was born in Los Angeles on April 4, 1929. He was a recipient Fulbright Fellowship to the University of Vienna (1952-53), a Guggenheim Fellowship (1968-69), two National Endowment for the Humanities Fellowships (1975-76, 1982-83), a  Stanford Humanities Center Fellowship (1982-83), a resident fellow at the Rockefeller Study Center in Bellagio, Italy (1996), named a “Distinguished Alumnus in the Humanities” at the University of Washington (2006), and a fellow at the American Academy of Arts and Sciences (elected 2008).

His most recent books are Aesthetics of Discomfort: Conversations on Disquieting Artwith Frederick Luis Aldama (Ann Arbor: University of Michigan Press, 2016) and One Family’s Shoah: Victimization, Resistance, Survival in Nazi Europe (New York and London: Palgrave Macmillan, 2013).

Previous books include:  On Wordsworth’s ‘Prelude’ (Princeton: Princeton University Press, 1963; Princeton paperback edition, 1966); Georg Büchner, in Crosscurrents/Modern Critiques series (Carbondale: Southern Illinois University Press, 1964); Georg Trakl, in Twayne World Authors Series (New York: Twayne [now G.K. Hall], 1971); Historical Drama: The Relation of Literature and Reality (Chicago: University of Chicago Press, l975; Phoenix paperback edition, 1978); Saul’s Fall: A Critical Fiction (Baltimore: Johns Hopkins University Press, 1979); Opera: The Extravagant Art (Ithaca: Cornell University Press, 1984; Cornell paperback edition, 1986); The History in Literature: On Value, Genre, Institutions (New York: Columbia University Press, 1990); Opera in History: From Monteverdi to Cage (Stanford: Stanford University Press, 1998); Dogstory: A Memoir in HypertextStanford University, April, 1999; Situating Opera: Period, Genre, Reception (Cambridge: Cambridge University Press, 2010).

Years ago he commented on Dana. Now it’s time for his former student to comment on him. I sent the news to Dana half an hour ago, and got this reply: “Terrible news. I knew Herbie for nearly half a century. He was a wonderful man.” Dana has known him for half-a-century.

“Herbie Lindenberger was my mentor at Stanford, and we became lifelong friends.  His famous course on Modernism was an intellectual milestone in my life. He was one of the finest teachers I’ve ever known. He brought a level of animation and intensity to the classroom that electrified his students. What good fortune to have known him as a teacher and friend.”

His son Michael Lindenberger posted this: “We recently went through a document he had given us regarding action items to take upon his death. (He was unbelievably organized and prepared for virtually any eventuality.) Regarding communicating with the Stanford English department, where he was a professor for many years, he had written to us, ‘Tell them that when the chair announces my death not to say “passed away” as the last chair did, but simply to use the word “died” and say that if this order is not followed I shall place a hex on the chair from wherever I am.’ That was our dad – candid and humorous even about death. And, as is evidenced by people who have reached out to us over the past 48 hours, it’s clear that his enthusiasm, warmth, humor, and intense intellectual energy were truly infectious. Not a moment of his 89 years was wasted.”

Tomorrow: Meet the authors, and celebrate birthdays with Shakespeare, Wordsworth, Nabokov, and St. George

Friday, April 22nd, 2011
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“Cry God for Harry, England, and Saint George!”

Tomorrow, April 23, is William Shakespeare‘s birthday.  It’s also William Wordsworth‘s birthday, and Vladimir Nabokov‘s birthday – and St. George’s Day, to boot.

It’s also the 8th annual “A Company of Authors” celebration at the Stanford Humanities Center, an all-afternoon gig celebrating the variety, richness and importance of the books produced by the Stanford community.  (More on the event here.)

This year’s auspicious date is not entirely a coincidence.  George Orwell biographer Peter Stansky, who founded the event along with the late, lamented Associates of the Stanford University Libraries, was particularly pleased by the possibilities offered by the juxtaposition.

Peter will open the event by reading a poem by George Steiner about the wisdom of choosing one’s birthday – you see, it’s Steiner’s birthday, too.

The event was inspired by the Los Angeles Times Book Fair and the annual Humanities Center Book party.  There’s a difference, however: the books will be available for sale at a 10 percent discount.  The fête kicks off at 1 p.m., and it’s free at the Humanities Center on Santa Teresa, and the company will be excellent, if I do say so myself.

“It is open to all who wish to come and learn more about the authors’ thinking behind their work, would like to chat with the authors in the periods between sessions and have the opportunity to purchase their books,” he said.  It has another purpose – “and that we can all feel that somehow we are in the tradition of Shakespeare!”

Authors include:  Charlotte Jacobs, Henry Kaplan and the Story of Hodgkin’s Disease;

Birthday boy

Susan Krieger, Traveling Blind; William Kays, Letters from a Soldier; Gabriella Safran, Wandering Soul: The Dybbuk’s Creator: S. An-sky; Abbas Milani, Myth of the Great Satan and The Shah; Ian Morris, Why the West Rules—For Now; Karen Wigen, A Malleable Map; Elena Danielson, The Ethical Archivist; Jack Rakove, Revolutionaries; Karen Offen, Globalizing Feminisms; Myra Strober,  Interdisciplinary Conversations; Stina Katchadourian, The Lapp King’s Daughter; Dan Edelstein, The Enlightenment: A Genealogy; Herbert Lindenberger, Situating Opera: Period, Genre, Reception; Debra Satz, Why Some Things Shouldn’t Be for Sale.  And you guessed it, Humble Moi – Cynthia Haven for An Invisible Rope: Portraits of Czeslaw Milosz.

No RSVP needed

According to Peter, “Most importantly in my view, the books reflect the most important aspect of the University: the life of the mind which sometimes gets forgotten in the many day to day events that take place at Stanford. In my view, this event represents the essence of the University.”

It is also J.M.W. Turner‘s birthday as well as Shirley Temple‘s, which he doesn’t mention.  “Perhaps you can arrange for Shirl ey Temple to come,” he suggested to me.  Do you think?

Postscript:  I know, I know … Shakespeare’s birthday is conjecture, based on his April 26 christening.  Usually, in the 16th century, a birth was followed post haste by a christening in anticipation of instant death.  And, given that he died on April 23, and that April 23 was St. George’s day, and, after all, he did need a birthday – the world fixed on April 23rd.  Good enough for me.  Hope for you, too.  See you tomorrow.

Postscript on 4/23/2013  We mistakenly reported that Alexander Pushkin‘s birthday is on April 23.  Wrong!  It’s June 6, 1799 (what a pleasant way to usher in a new century!)  The error has been corrected.  Thank you, Tatiana Pahlen, for pointing it out to us.