Posts Tagged ‘Jane Shaw’

 A triumph for Sándor Márai’s little-known classic Embers

Monday, October 23rd, 2017
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Another Look director Robert Harrison, with founding director Tobias Wolff

If you felt a slight tremor in the earth on Wednesday, October 18, the epicenter was at Stanford’s Encina Hall. The Another Look book club took on Sándor Márai‘s Embers – and the whole room rocked!

The event was close to a record-breaker, with about two hundred participants – not bad for an off-the-beaten track Hungarian novel (and only equaled by Zora Neale Hurston‘s Their Eyes Were Watching God).

Sándor Márai’s taut and mesmerizing novel, published in 1942, opens in a secluded Hungarian castle, where an old general awaits a reunion with a friend. It is 1940, and he has not appeared in public for decades. The long-estranged companions talk all night – or rather, the general talks, as the evasive visitor listens to the general discuss love, intimacy, honor, betrayal, and a beautiful, long-dead wife.

The novel is set against the backdrop of the disintegrated Austro-Hungarian empire, and shares the melancholy wisdom of its narrator: “We not only act, talk, think, dream, we also hold our silence about something. All our lives we are silent about who we are, which only we know, and about which we can speak to no one. Yet we know that who we are and what we cannot speak about constitutes the ‘truth.’ We are that about which we hold our silence.”

Acclaimed author Robert Pogue Harrison moderated the discussion. The Stanford professor who is Another Look’s director writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He was joined by renowned author and National Medal of Arts winner Tobias Wolff, professor emeritus of English at Stanford, and Jane Shaw, Stanford’s Dean for Religious Life at Stanford.

Toby Wolff, Another Look’s founding director, opened by praising the courage of author Márai to sit down and create a remarkable novel about an all-night conversation – two men meet, but only one of them talks, and they persevere till dawn. The end. A daunting creative challenge that Márai pulls off magificently.

We were happy to see a lively Hungarian contingent in the audience, too – including the Hungarian Consul General for the Bay Area. And boy, did the Hungarians have a different take on the book – they praised Carol Brown Janeway‘s translation, but said that the richness of their native tongue is AWOL. And while Márai is little known west of the Danube, they assured us his books are everywhere in Budapest.

The podcast is here. And all photos, as always, are by by loyal Another Look aficionado David Schwartz.

Last call for Sándor Márai’s Embers: We’ll explore lies, betrayals, secrets, and honor on Wednesday, Oct. 18!

Tuesday, October 17th, 2017
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Little-known Hungarian author

Last call for Sándor Márai‘s taut and mesmerizing Embers, published in 1942. The novel opens in a secluded Hungarian castle, where an old general awaits a reunion with a friend. It is 1940, and he has not appeared in public for decades. The long-estranged companions talk all night – or rather, the general talks, as the evasive visitor listens to the general discuss love, intimacy, honor, betrayal, and a beautiful, long-dead wife. “We are our secrets,” he says.

The autumn “Another Look” event at Stanford will discuss Márai’s superb novel. The discussion will take place at 7:30 p.m. on Wednesday, October 18, at the Bechtel Conference Center.

Haven’t got the book? There’s still time: go to Stanford Bookstore on the Stanford campus, Kepler’s in Menlo Park, or Bell’s Books in Palo Alto. It’s a quick read, as are all the Another Look books.

The novel is set against the backdrop of the disintegrated Austro-Hungarian empire, and shares the melancholy wisdom of its narrator: “We not only act, talk, think, dream, we also hold our silence about something. All our lives we are silent about who we are, which only we know, and about which we can speak to no one. Yet we know that who we are and what we cannot speak about constitutes the ‘truth.’ We are that about which we hold our silence.”

Acclaimed author Robert Pogue Harrison will moderate the discussion. The Stanford professor who is Another Look’s director writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He will be joined by renowned author and National Medal of Arts winner Tobias Wolff, professor emeritus of English at Stanford, and Jane Shaw, Stanford’s Dean for Religious Life at Stanford. Wolff is founding director of Another Look, and of course many of you will remember Jane Shaw from our discussion of J.L. Carr‘s  A Month in the Country.

For Another Look newcomers, a map for the Bechtel Conference Center is here. The nearby Knight parking structure, underneath the nearby Graduate School of Business, has plenty of room for free parking (see here for a map). In addition, parking is available on Serra Street and in front of Encina Hall itself.

The Another Look book club takes on books that have been forgotten, neglected, or simply haven’t received the attention we think they merit. Again, all books are short, so they can be read in a few sittings.

All our events are free and open to the public – and please bring your friends! Come early for best seating.

 

 

“We are our secrets”: Hungarian author Sándor Márai’s Embers at Stanford on Oct. 18

Monday, October 2nd, 2017
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Little-known Hungarian author

Sándor Márai‘s taut and mesmerizing Embers, published in 1942, opens in a secluded Hungarian castle, where an old general awaits a reunion with a friend. It is 1940, and he has not appeared in public for decades. The long-estranged companions talk all night – or rather, the general talks, as the evasive visitor listens to the general discuss love, intimacy, honor, betrayal, and a beautiful, long-dead wife. “We are our secrets,” he says.

The autumn “Another Look” event at Stanford will discuss Márai’s superb novel. The discussion will take place at 7:30 p.m. on Wednesday, October 18, at the Bechtel Conference Center.

The novel is set against the backdrop of the disintegrated Austro-Hungarian empire, and shares the melancholy wisdom of its narrator: “We not only act, talk, think, dream, we also hold our silence about something. All our lives we are silent about who we are, which only we know, and about which we can speak to no one. Yet we know that who we are and what we cannot speak about constitutes the ‘truth.’ We are that about which we hold our silence.”

Acclaimed author Robert Pogue Harrison will moderate the discussion. The Stanford professor who is Another Look’s director writes regularly for The New York Review of Books and hosts the popular talk show, Entitled Opinions. He will be joined by renowned author and National Medal of Arts winner Tobias Wolff, professor emeritus of English at Stanford, and Jane Shaw, Stanford’s Dean for Religious Life at Stanford. Wolff is founding director of Another Look, and of course many of you will remember Jane Shaw from our discussion of J.L. Carr‘s  A Month in the Country.

The Another Look book club takes on books that have been forgotten, neglected, or simply haven’t received the attention we think they merit. Here’s another draw: all books are short, so they can be read in a few sittings.

All our events are free and open to the public – and please bring your friends! Come early for best seating.

 

J.L. Carr’s A Month in the Country on October 19! Here’s 10 things you didn’t know about the book and the author.

Saturday, October 17th, 2015
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Carr by a quince tree, 1969 (Photo courtesy Bob Carr)

Stanford’s Another Look book club spotlights masterpieces that have been forgotten, overlooked, or otherwise just haven’t received the audience they merit. J.L. Carr‘s A Month in the Country fits the bill perfectly. Other than an excellent biography by Byron Rogers, The Last Englishman, you’ll find little on the pitch-perfect book or its idiosyncratic, stubborn, and deeply private author.

That’s another reason to come to the Another Look discussion of A Month in the Country will take place at 7:30 p.m. on Monday, October 19, at the Bechtel Conference Center at Encina Hall on Serra Street on the Stanford campus. The conversation will be moderated by Robert Pogue Harrison, Another Look’s new director, along with acclaimed author Tobias Wolff, professor emeritus of English, and Jane Shaw, dean of religious life at Stanford and author of several books.

Parking is readily available around Encina Hall’s Bechtel Conference Center – a map is here. The nearby Knight parking structure, underneath the nearby Graduate School of Business, has plenty of room for free parking (see here for a map). In addition, parking is available on Serra Street and in front of Encina Hall itself. Humble Moi will be at the front door by 6 p.m. for early arrivals, just to make sure you get in and save a seat.

Meanwhile, here’s ten things you probably didn’t know about the book or its author:

1. Carr’s book was born of a frustrating, decade-long endeavor to save a dilapidated 14th century Northamptonshire church. Read about it here.

2. “Splendid in their day – but not now.” Old English churches today are a staid affair, compared with their previous lives in the medieval centuries, where they were a riot of texture and color. Plus a short BBC film clip about how the stunning restoration of a Welsh church changed a village – which sheds some background on Tom Birkin’s labor to uncover a 14th century painting. Read about it here.

carrbook3. “He was my Dad, he wasn’t exceptional to me.'” J.L. Carr’s son doesn’t quite understand the fuss. “Carr was not an open man, neither was Bob, so theirs had been a perfectly friendly relationship with few confidences exchanged but no confrontations either,” wrote Carr’s biographer. “The result is that when you ask Bob Carr questions about his father, you sometimes feel you might just as well as be asking them of the lodger.” Read about it here.

4. “Thoo’s ga-ing ti git rare an’ soaaked reet doon ti thi skin, maister.” The Yorkshire accent was as mystifying to Tom Birkin as it is to Americans. Where did it come from? A short explanation, with a video clip on how the wrangling between the Vikings and the Anglo-Saxons can still be heard on the Yorkish tongue today. It’s here.

5. “This was the book nobody rejected, because they did not get the chance,” wrote Byron Rogers of A Month in the Country. But here are a few of the few words that have been said about this 1980 classic.

6. “’It was a sort of stage-magic’ : the Yorkshire countryside.” If you’ve never been to Yorkshire, here‘s your chance. A short video about the dales, rivers, and ethos of England’s enchanting county, a backdrop for Carr’s novel.

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The author in Wales. (Photo courtesy Bob Carr)

7. “Hell? Passchendaele had been hell.” In the terrible history of the 20th century, the horrors of World War I were quickly overwhelmed by a greater war, but Passchendaele was unforgettable for those who remember the fear and the mud. It also marked the Germans’ introduction of mustard gas. Read about it here.

8. Penelope Fitzgerald, J.L. Carr, and the “death of the spirit we must fear.” The Booker award-winning author discusses Carr’s “nostalgia for something we have never had.” Read it here.

9. “Apples are the only exam I could ever hope to pass.” Carr would have been aware of the invasion of commercial apples, which was beginning about the time he wrote A Month in the Country. Have English apple-eaters have been seduced by the shiny red skins of foreign rivals? Read about it here.

10. Why Sara van Fleet and Wensleydale? Why did Carr pluck the Sara van Fleet rose for Alice Keach? And what’s so special about Wensleydale? Find out here.

Stanford’s Another Look book club reborn with J.L. Carr’s A Month in the Country

Tuesday, September 22nd, 2015
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The author next to a quince tree, 1969. (Photo courtesy Bob Carr)

The British novelist J.L. Carr had an implacable side. “Once he started something, he never let it drop,” his son recalled.

One example: Carr, a primary school headmaster, was wandering through a Northamptonshire village in 1964 when he ran across a dilapidated 14th-century church. Spending more than a decade in a tireless letter-writing campaign to restore the building, Carr battled bureaucrats, vandals, and a pilfering vicar. Eventually, the matter landed in the lap of the Queen of England.

From that infuriating experience was born a tender masterpiece: A Month in the Country, a late-life novel published in 1980, when Carr was well into his 60s. In the short book, two shell-shocked veterans of World War I look for healing and happiness in a Yorkshire village. One is restoring a medieval painting on the wall of the old church; the other is looking for a long-lost grave.

The Another Look book club will discuss the short novel at 7:30 p.m. Monday, Oct. 19, at the Bechtel Conference Center in Stanford’s Encina Hall. Another Look events, which focus on off-the-beaten-track novels, are free and open to the public. (Stanford Bookstore and Kepler’s in Menlo Park are stocking Carr’s book.)

Another Look was founded by the distinguished author Tobias Wolff, a Stanford professor of English. With his retirement this year, the book club was itself slated for demolition. The popular program has now been revived for its fourth season under the aegis of Stanford Continuing Studies, with Robert Pogue Harrison, a Stanford professor of Italian literature and an acclaimed author in his own right, as the new director. Harrison is also a regular contributor to the New York Review of Books and host for the radio talk show Entitled Opinions.

For the Oct. 19 discussion, Harrison will be joined by Wolff, who received the National Medal of Arts this month, and Jane Shaw, Stanford’s new dean for religious life at Stanford and author of several books.

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Silent, watchful. (Photo courtesy Bob Carr)

“When I attended the last meeting of Another Look this past spring, I knew that no one had offered to take over for Tobias,” said Harrison. “Seeing the crush of people at Levinthal Hall fifteen minutes before starting time, with standing room only, eager to hear a discussion of Albert Camus’ The Stranger, I realized how much this book series means to people at Stanford and in the surrounding community. I felt it would be a real shame to let it let it die, so I offered to take over the directorship. And here we are, ready to go.”

Carr’s pitch-perfect short novel earned a Guardian Fiction Prize and was short-listed for a prestigious Booker Prize when it was published. The book’s fame was briefly outstripped by the 1987 film version, which effectively marked the film debuts of Colin Firth, Kenneth Branagh, and Natasha Richardson. The highly praised film was neglected after its release and finally rescued from oblivion by determined fans in recent years. The book, however, has a brisker pace, a quiet wit, a charm of its own – and a more enduring life.

“I read A Month in the Country about 10 years ago and was enchanted by its style, landscapes and themes,” said Harrison. “If any book fits the bill of Another Look – namely, a short novel from the past that richly deserves another look – it is Carr’s gem of a narrative, which takes on all sorts of different sorts of hues, depending on how you view it.”

carrbookCarr was the son of a Yorkshire stationmaster who was also a Wesleyan lay preacher. He eventually moved to Northamptonshire, where he was a teacher and schoolmaster for decades. He had a reputation for eccentricity: on school sports days, for example, he would set up Arithmetic Races where students had to complete sums at trackside blackboards before running on.

He decided to chuck it and become a writer. His first novel was published when he was in his 50s. To make ends meet, he founded Quince Tree Press, a publishing house that offered hand-illustrated county maps, idiosyncratic dictionaries and small, 5″ X 3.5″ editions of great poets, for less than the cost of a greeting card. It published the works of J.L. Carr as well – and still does.

But it was hard for Carr to build a literary reputation when each of his books was entirely different, in style, subject and outlook. The Harpole Report, for example, is a novel mostly in the form of a teacher’s log; the comedy writer Frank Muir called it “the funniest and perhaps the truest story about running a school that I ever have read.” As a result, Carr had a cult following, but no mainstream success until A Month in the Country.

Fame didn’t change him. He remained in Kettering, Northamptonshire, publishing books at Quince Tree Press, which is now headed by his son, Bob Carr. The author died in 1994 of leukemia, at age 81.

His biographer Byron Rogers described his visit to Carr’s deathbed as “uneasy bonhomie on my part, and silence and watchfulness on his.” Then he adds, “Though the irony is that most conversations with Jim Carr had been like that.”

***

The “Another Look” book club focuses on short masterpieces that have been forgotten, neglected or overlooked – or may simply not have gotten the attention they merit. The selected works are short to encourage the involvement of the Bay Area readers whose time may be limited. Registration at the websiteanotherlook.stanford.edu is encouraged for regular updates and details on the selected books and events. The website also has additional articles about J.L. Carr and other information on the Oct. 19 discussion.

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Firth and Branagh in the celebrated and long-lost film.