Stanford’s Another Look book club was born of one man’s love for a short novel – that is, acclaimed author Tobias Wolff‘s love of William Maxwell‘s So Long See You Tomorrow, which became the first book discussed in the three-year series. He wanted to share the book not just with colleagues, but the the world. He called Another Look “a gift to the community.” (We’ve written about it here and here and here and a zillion other places). So it was fitting that we concluded the era Toby’s directorship with a Maxwell tribute. Why “see you tomorrow”? Because he’s not going far. He’s simply beginning his well-earned retirement. He’ll be around. Meanwhile, the future of the highly successful program he founded is uncertain. We’ll see what happens. Cross your fingers. Burn incense. Whatever works.
The Monday discussion of Albert Camus‘ The Stranger was a knockout event – the turn-out beyond anything we had anticipated. It was way beyond standing room only. The room was impassable, with a mob in the doorway, and another outside the sliding doors to the patio, opened so a smaller crowd could listen in. People sat on the floor in the aisles. There was no place in the room that didn’t have people in it. (I squatted behind the podium and couldn’t see anyone on the panel – you could say I had audio, but not visual, reception.) It was, in short, a love-bomb.
The photos above and below don’t quite capture the size of the crowd – photographer David Schwartz, who happened to be in the audience, didn’t have much choice about what he could capture at all. The fans who were lucky enough to have seats were so jam-packed that he couldn’t move.
David couldn’t photograph all three panelists together – so we augment his photos with one of Marie-Pierre Ulloa, a scholar of French intellectual life in 20th-century Algeria, taken by Remmelt Pit.
No surprise that the discussion was lively and wide-ranging. Intellectual and cultural historian Caroline Winterer, director of the Stanford Humanities Center, and Toby are old friends, as their spirited exchanges show in the photos. The audience was bubbling with questions – more than the panelists could possibly answer. Many of them focused on the four extra shots fired by Meursault into the Arab – in Matthew Ward‘s esteemed “American” translation (read about him here) is rendered “And it was like knocking four quick times on the door of unhappiness.”
All in all, it was a wonderful send-off for Toby’s retirement – we presented him with a signed first edition of the late William Maxwell’s The Outermost Dream, a collection of his essays from The New Yorker – fitting, because Toby himself is a regular contributor to the magazine.
But the biggest surprise of the evening was the edition of Maxwell’s later novels from Brookie and Kate Maxwell, the author’s daughters, who have appreciated Toby’s attention to their father’s legacy, and his efforts for Another Look more generally. Brookie, also a photographer, included a photograph of her father that she had taken – the photograph with the kitten; you can see it here.