Posts Tagged ‘Caille Millner’

The Stanford book club that rocks the news

Friday, April 22nd, 2016
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Toby Wolff’s Another Look send-off last spring. (Photo: David Schwartz)

Author Peter Stansky‘s “A Company of Authors,” the annual event where Stanford authors present their books, had its best day ever last Saturday. As I told Stanford Report“The author presentations were eloquent and excellent, without exception, and the audience questions ensured the discussion was spirited and intelligent.” And longtime Hoover fellow Paul Caringella even gave an impromptu pitch for my forthcoming René Girard biography. What’s not to like?

“I always find these occasions extremely exhilarating,” Peter said. “The heart of the university is the life of the mind and you could not have a better example of that than in the books that their authors presented here today.”

Well, you can read the whole thing here. Nearly everyone stayed through all the presentations, and the excited and audible buzz in the lobby afterwards told the story.

And I told a story, too, during my ten-minute solo for “The Wonderful World of Books at Stanford.” Peter introduced me as “the leading figure at Stanford in keeping us involved in so many exciting ways in the world of books.” So I took up the cause of the Another Look book club it has been my privilege to manage for four years. Here’s what I said:

I’m here to tell you the Another Look story. It’s a good story, and I’ve been proud to be part of it. I think you’ll like it because it’s a story about books finding their people.

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Founder Tobias Wolff. (Photo: David Schwartz)

Four years ago, the distinguished author Tobias Wolff – who was recently named a recipient of the National Medal of the Arts – approached me with an idea: he wanted to create a forum where members of the community would interact with Stanford writers, scholars, and literary figures in the world beyond, to talk about the books they love. He wanted the first book to be a beloved favorite, William Maxwells So Long See You Tomorrow. He asked me if I could make all this happen. Frankly, I have to say, I was doubtful. The term “book club” did not have good associations for me. But as we hashed it out, I realized my issues were two-fold: first, I figured most people, like me, didn’t have the hours and hours to read long books of other people’s choosing; and second, the books tended to be mainstream, middlebrow, middle-of-the-road “safe” choices.

Inspired by Maxwell’s novel, we decided that we would focus on short books – short enough for Bay Area professionals who are pressed for time, and who may spend their days going through legal briefs or medical documents. Also, we would focus on books that were forgotten, overlooked, or simply haven’t received the audience they merit. We would call it “Another Look.” It would be for people who wanted to be part of the world of books and literature – a world they may have lost touch with once they left university. They would be connoisseurs’ choices for books you must read – discussed and even championed by the people who love them.

Not delusional. (Photo: Nancy Crampton)

Nobless oblige. (Photo: Nancy Crampton)

We had a full house the first night, and our audiences have been steadily climbing upward ever since. One highpoint: for Philip Roth‘s The Ghost Writer, we were joined by Michael Chabon and Ayelet Waldman. It was the only time to date we have had a living author. And although he had become something of a recluse, I decided to see if I could interview him. The subsequent Q&A was published on The Book Haven and republished in La Repubblica, Le Monde, and Die Welt. It made the international press, and the high-profile Another Look was featured in The Guardian.

Toby retired … or said he was going to retire … last year (he was recalled for another year, but that’s another story). When we announced that Another Look was going to close shop a year ago, we got record numbers of people attending our event for Albert Camus‘s The Stranger – a book, Toby claimed, that was more honored than read. One member in the audience, the acclaimed author Robert Pogue Harrison, stepped forward that night to offer to assume the directorship of the program. We’ve developed subscribers’ list pushing up to 1,400. Our February’s event with Werner Herzog at Dinkelspiel Auditorium, discussing J.A. Baker‘s The Peregrine, is now on youtube, in both highlights and full-length version. (The event was covered by San Francisco Chronicle columnist Caille Millner here.) The repercussions of that powerful book event will continue to unfold in the months to come.

Legendary film director Werner Herzog discusses J.A. Baker's book The Peregrine at the Feb. 2 Another Look book club event.

Legendary film director Werner Herzog discusses J.A. Baker’s book The Peregrine at the Feb. 2 Another Look book club event. (Photo: L.A. Cicero)

It’s been enormously gratifying for me personally to be the point of contact with all of you in our book-loving Bay Area community – and sometimes around the nation and world, too. We have one aficionado driving in from Carmel – others write from far-flung places to tell me they’re reading along with us. And Toby has talked about this program, during his speaking engagements around the country. He’s proud of his brainchild, too.

Why am I so keen on this program? Because it’s rocked my world. Those who know me as a literary journalist know that I’ve sunk my time into the world of Eastern European poets, particularly Nobel laureate Czesław Miłosz, and more recently, into the French theorist René Girard, a longtime Stanford faculty member, a dear friend, and the subject of my biography. Hence, there are huge holes in my knowledge of modern fiction, and particularly American fiction. Without too much investment of time, I’ve caught up with a lot of writers I’d somehow missed. No membership fees, no meetings with minutes, no commitments – just show up, please!

So please join us next month, on Tuesday, May 10, at the Bechtel Conference Center, when we discuss Joseph Conrads novella The Shadow-Line. The story will run in Stanford Report Monday and be on the Stanford news website – we have books in the lobby. Meanwhile, take some freshly minted bookmarks – and take a few for your friends who might be interested, too.

Werner Herzog @Stanford: The Movie!

Friday, February 19th, 2016
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Legendary film director Werner Herzog discusses J.A. Baker's book The Peregrine at the Feb. 2 Another Look book club event.

Legendary filmmaker Werner Herzog makes a point. (Photo: L.A. Cicero/Stanford News Service)

Those of you who follow the Book Haven know that we’ve been somewhat preoccupied with legendary filmmaker Werner Herzog, who visited Stanford on February 2 to discuss J.A. BakerThe PeregrineThe discussion ranged far beyond the book, to embrace Virgil’s Georgics, the 16th century Florentine Codex (originally in Nahuatl), the Edda, his films and his views on reading and filmmaking – well, he’s a force of nature. It’s all now available on youtube, in a full-length version (here) and a quick, two-minute highlights version (here). Or see below for both: short version on top, the full hour-and-a-half below (it’s worth the time, really).

Legendary film director Werner Herzog discusses J.A. Baker's book The Peregrine with Robert Pogue Harrison, a Stanford professor of Italian literature, at the Feb. 2 Another Look book club event.

A sublime pairing. (Photo: L.A. Cicero)

The event was part of the ongoing Another Look book club series of events – Another Look’s director, Robert Pogue Harrison, a regular contributor to the New York Review of Books and host for the popular Entitled Opinions radio talk show, was the interlocutor for the discussion (we’ve written about him here and here and here, among many other places). In fact, the encounter was born in a friendship – but not with Werner, at least not initially. Robert met and interviewed Lena Herzog for the April 17, 2013 interview with Entitled Opinions about her photography (download Robert’s interviews, including that one, here).

The Another Look event was covered by columnist Caille Millner in “When Werner Herzog Came to Stanford” in the San Francisco Chronicle (here). An excerpt:

Herzog, 73, is legendary for many reasons: his passion, his punishing film sets, his contempt for personal comforts, his aversion to the contemporary gadgets that rule our lives (he grew up in a remote Bavarian village without running water or flush toilets) and, above all, for his absolute independence from Hollywood filmmaking

I was curious about how this remarkable man would fit into Silicon Valley for an evening. What’s an on-demand app to someone who didn’t make his first phone call until he was 17 years old?

It tells you something about Herzog that the reason he drove up to Stanford from Los Angeles was to talk about a little-known, long-out-of-print book about a man and a falcon: “The Peregrine,” by British author J.A. Baker (it’s been lovingly reissued by the New York Review of Books Classics imprint).

Legendary film director Werner Herzog discusses J.A. Baker's book The Peregrine at the Feb. 2 Another Look book club event.

A genial superstar. (Photo: L.A. Cicero)

She writes with style and brio, but I don’t agree with her when she dismissed the textual difficulties behind The Peregrine (as did Herzog). The issues of accuracy aren’t occasional and trivial, but pervasive and woven into the book, whose author insists on its authority as a work of direct observation. A small team of us, including an expert falconer, spent a good deal of time chewing over the magnificent text and its discrepancies – some of the issues are summarized briefly here. I even retrieved some of the letters of renowned falconer Dick Treleaven to Baker, which are now at the University of Essex (covered here), as we attempted to square Baker’s observations with reality. Robert, who wrestled even more deeply with these issues than the rest of us, had some very insightful things to say on the subject, but the onstage conversation veered off in another direction. The Peregrine is undeniably a masterpiece, but it raises questions about artistic truth, “real” truth, and what, exactly, Baker was doing. Robert’s remarks about Jimi Hendrix in the full-length video gives a hint of where his thoughts were taking him as he pondered this mysterious book. I’m convinced that these issues make the book more, not less, interesting, and raise fascinating questions about the process of creation.

One of my strongest memories of the evening, however, occurred after the conversation was over. I was the assigned person to whisk the genial superstar away to the back door and the car that was waiting for him there. He would have none of it. He wanted to shake hands and greet everyone who had come to see him. He was smiling and laughing as the crowd swarmed him. Impossible to pull him away. Who would want to?