Join me for a talk with Eric Karpeles on his new Czapski biography: Thursday night at San Francisco’s City Lights!
Monday, November 26th, 2018I’d love to see all of you at 7 p.m. on Thursday, Nov. 29 at the legendary City Lights Booksellers, on 261 Columbus Avenue in San Francisco. And here’s why.
The subject of evening will be a man too little known in the West: Józef Czapski, painter, writer, critic, war hero and prisoner of war, and above all a great humanitarian (the word somehow seems too small for him). We’ve written about him before, here and here. (His self-portrait is at right – he was 6’6″ and the long, narrow canvas demonstrates that.)
And now I will have a “public conversation” about Czapski with his biographer Eric Karpeles.
The occasion is the publication of several books by New York Review Books. First and foremost, Karpeles’s new biography of Czapski: Almost Nothing: The 20th Century Art and Life of Jósef Czapski. Second, his translation from the French of Czapski’s Lost Time: Lectures on Proust in a Soviet Prison Camp (with Karpeles’s introduction), and finally Czapski’s Inhuman Land: Searching for the Truth in Soviet Russia, 1941-1942, translated from Polish by Antonia Lloyd-Jones, with an introduction by Timothy Snyder.
From the City Lights website:
Józef Czapski (1896–1993) was a writer and artist, as well as an officer in the Polish army. In 1918, he enrolled in the Warsaw School of Fine Arts, but shortly thereafter he suspended his studies in order to travel to Russia at the request of military authorities to search for officers in his division who had disappeared in action. At the end of the Russian Civil War, he went back to his studies, this time at Kraków’s Academy of Fine Arts, and soon relocated to Paris with some fellow students, thus founding the Komitet Paryski (Paris Committee), later known as the Kapist movement.
Czapski was drafted into the army at the beginning of World War II, soon after landing in a Soviet prisoner-of-war camp. Once free, he was assigned to investigate another disappearance of officers, who he would discover were victims of the Katyń Massacre, the subject of Inhuman Land. Czapski spent the rest of his years painting and writing.
Eric Karpeles is a painter, writer, and translator. His comprehensive guide, Paintings in Proust, considers the intersection of literary and visual aesthetics in the work of the great French novelist. He has written about the paintings of the poet Elizabeth Bishop and about the end of life as seen through the works of Emily Dickinson, Gustav Mahler, and Mark Rothko. The painter of The Sanctuary and of the Mary and Laurance Rockefeller Chapel, he is the also the translator of Józef Czapski’s Lost Time: Lectures on Proust in a Soviet Prison Camp and Lorenza Foschini‘s Proust’s Overcoat. He lives in Northern California.
Cynthia Haven is a 2018/19 National Endowment for the Humanities Public Scholar. She writes regularly for The Times Literary Supplement, and has also contributed to The New York Times Book Review, The Nation, The Virginia Quarterly Review, The Washington Post, The Los Angeles Times, The San Francisco Chronicle, and World Literature Today. Her newest book is Evolution of Desire: A Life of René Girard, which was published by Michigan State University Press in spring 2018 and reviewed in the Times Literary Supplement, The Wall Street Journal, San Francisco Chronicle, and the Philadelphia Inquirer. Her work has also appeared in Le Monde, La Repubblica, Die Welt, Zvezda, Colta, Zeszyty Literackie, The Kenyon Review, Quarterly Conversation, The Georgia Review, and Civilization. She has been a Milena Jesenská Journalism Fellow with the Institut für die Wissenschaften vom Menschen in Vienna, as well as a visiting writer and scholar at Stanford’s Division of Literatures, Languages, and Cultures and a Voegelin Fellow at Stanford’s Hoover Institution. Peter Dale in Conversation with Cynthia Haven was published in London, 2005. Her Czesław Miłosz: Conversations was published in 2006; Joseph Brodsky: Conversations in 2003; An Invisible Rope: Portraits of Czesław Miłosz was published in 2011 with Ohio University Press / Swallow Press.