Archive for July, 2024

Playwright Matthew Gasda: “We are all Girardians now—whether we know it or not.”

Tuesday, July 30th, 2024
Share
René Girard on the Stanford campus.

Interest in René Girard from an unexpected source: the current issue of Air Mail, which describes itself as a “mobile-first digital weekly that unfolds like the better weekend editions of your favorite newspapers.” Dramatist, novelist, and poet Matthew Gasda writes: “We are all Girardians now—whether we know it or not. The concepts minted in the early 1960s by the late French literary critic and philosopher René Girard explain the pathologies of the smartphone age as elegantly as Freud’s explained bourgeois neuroses at the turn of the last century.”

Gaspa is a voice worth listening to. Two years ago, the New York Times noted: “Matthew Gasda spent years writing plays on his electric typewriter, and almost no one seemed to care. With Dimes Square, his depiction of a downtown crowd, he has an underground hit.” And so he’s been a voice worth listening to ever since.

Which is especially good for All Desire is a Desire for Being, just out with Penguin Classics U.S. (The U.K. edition was published last year.) You can buy the book here. Meanwhile, read Gasda’s review of the book.

He continues: “While Freud was renowned in his own time, Girard, who died in 2015, is still far from a household name. A distinguished scholar and the author of nearly 30 books, he never broke through to a mass audience like his contemporary Harold Bloom, who transitioned from high theory to cultural critiques in the 1990s. Girard was not a public intellectual; he was a quietly influential, if recondite, academic: the Velvet Underground, not the Beatles.”

“Just as you don’t need to be a Marxist or a Freudian to find class struggle or the Oedipus complex useful, you do not need to be a Girardian, or a Catholic, to find Girard useful. Girard’s dogged attention to what he calls, echoing Nietzsche, the ‘eternal return’ of the scapegoat mechanism (the cruelty and stupidity of the mob) deserves our attention. Girard warns us, with moving pathos, that we are always on the verge of reprising the horrors of history; we are still prone, especially in times of crisis and change, to retribution and revenge (digital or physical).”

He continues: “All Desire Is a Desire for Being is not a reissue but a new collection of essential essays and aphorisms selected by [Cynthia] Haven. It’s the ideal way to read Girard, who only ever had one big idea. He was the kind of thinker Isaiah Berlin would have called a hedgehog, not a fox. But what an idea. Mimetic rivalry is a profound and disturbing discovery, and Girard dedicated his long and distinguished career to its explication. If he is right, we have to question whether the world we are actively creating—or perhaps passively re-creating—is not very, very wrong.”

Read the whole thing here. The bad news: it’s behind a sort of a paywall. The good news: all you have to do is include your email address at the bottom of the page to get access. Enjoy.

Man on the rise: Matthew Gaspa (Photo: Air Mail)

Visiting old friends in Kraków…

Wednesday, July 10th, 2024
Share

I paid a visit to an old friend today. Last time we visited was six years ago at her temporary digs in Wawel Castle, on a bitterly cold winter day in Kraków – and Polish winters have a sharp bite that has to be experienced to be believed. She was only about two feet away from my face, and no one else was around – as a friend observed, the experience changes when you can see the craquelure up close.

Today she seems to have found a more permanent home at the Muzeum Czartoryskich. Leonardo da Vinci’s 21″ x 15″ oil painting is one of Poland’s great treasures. Stanford archist Elena Danielson described her as “wonderful in person, and much finer and far more mysterious than the Mona Lisa.”

Joy Zamoyski Koch commented on the provenance of the painting: “Lady with an Ermine was purchased in 1798 by Prince Adam Jerzy Czartoryski for his mother (my 4th grandmother) Princess Izabella and incorporated into the family art collection at Pulawy (which is also a museum worth visiting).

“She rescued it from the invading Russian army in 1830, sent it to Dresden, then to Czartoryski family in exile in Paris, and finally to Krakow in 1882.

“In 1939, the Germans seized it and sent it to the Kaiser Friedrich Museum in Berlin. The following year, Hans Frank, the Governor General of occupied Poland, requested its return to Krakow. In 1945 it was taken to Frank’s country home in Bavaria, where it was duly liberated by American troops who returned it to the Czartoryski Museum in Kraków.”

Said one of my bros: “Very cool! I have liked that painting for many years – the ferret and girl have the same look on their faces.” How many people have noticed that?