Posts Tagged ‘Dana Gioia’

Poet Al Young is dead at 81: “He was one of the most gracious writers I ever met.”

Sunday, April 18th, 2021
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Dana Gioia with Al Young at the Sierra Poetry Festival a few years ago.

Poet Al Young, who suffered a massive stroke in February 2019 and never fully recovered, has died at 81. Jazz scholar Ted Gioia recalled, “Al Young was a treasure of the Bay Area cultural scene. I first knew him as a jazz lover who wrote movingly about the music—and I would run into him frequently at clubs and concerts. But he was probably even better known in the literary world, and Young would eventually serve as poet laureate for California. But he was also a teacher, a screenwriter, a novelist, an editor, and a mentor to many. In fact, you couldn’t find a better role model. Every encounter I had with him was an inspiring one.” Young was named California poet laureate in 2005.

Dana Gioia, a recent state laureate himself, had known Young since 1972, when Dana was at Stanford, where Young spent much of his career. Young had been a Jones lecturer in the Stanford English Department when both Gioias were undergraduates. (Young was a Jones lecturer from 1969 to 1979.) “Al Young represented the best in literary life. He was enormously talented in both fiction and poetry, though as he got older poetry came to be his natural means of expression. He was a powerful and persuasive reader with a beautiful bass voice which sometimes broke out in song,” said Dana.

“He was one of the most gracious writers I ever met. People were drawn to his warmth and humor. He inspired people. Eliza Tudor told me that once Al had accepted the invitation to speak at her new Sierra Poetry Conference, she knew the gathering would be successful.”

“I particularly admired Al in his term as California State Poet Laureate. Not many writers have a gift for public service. The role came naturally for Al. He liked to meet people – all kinds of people. He listened to them and laughed with them. He travelled to rural areas of the state that previous laureates had overlooked. He spoke in urban schools where he was a powerful role model of the African American artist. He became my role model for the state laureate. I loved being (and basking) in his company. I’ll miss him.”

Young has received the American Book Award twice, for Bodies and Soul: Musical Memoirs (1982) and The Sound of Dreams Remembered: Poems 1990-2000 (2002). He was also awarded an honorary Doctor of Humane Letters from Whittier College in 2009. He is a recipient of Guggenheim, Fulbright, and Wallace Stegner fellowships, and grants from the National Endowment for the Arts.  the PEN-Library of Congress Award for Short Fiction, the PEN-USA Award for Non-Fiction, two American Book Awards, the Pushcart Prize, and two New York Times Notable Book of the year citations.

I don’t ask to be forgiven
nor do I wish to be given up,
not entirely, not yet, not while
pain is shooting clean through
the only world I know: this one.

Postscript on 4/23Berkeleyside published a terrific retrospective on April 21. “Remembering Al Young, a California poet laureate, musician, teacher,” by Frances Dinkenspiel, is here.

An excerpt: “…Young was not as famous as he deserved to be, said Ishmael Reed, a longtime friend, collaborator and fellow writer. Some of that had to do with the fact he lived on the West Coast, far from the star-anointing powers of East Coast critics. ‘He’s probably one of the most underrated writers in the country,’ said Reed, who published The Yardbird Reader, a literary magazine that highlighted contemporary Black writers, with Young in the 1970s. ‘He lived on the West Coast. The people who receive a lot of publicity live in the New York-Washington, D.C. shuttle area. It’s difficult for a writer like Al to achieve prominence with critics who see Northern California as a stepchild of Manhattan.'”

Here’s another: “In 2007, during his term as poet laureate, Young traveled around California, reading his work in 40 rural communities in the Central Valley and mountain areas in 11 days, often accompanied by a musician. For Young, poetry and music, particularly jazz and blues, were intertwined. He frequently wrote while listening to music (he knew so much about music he was almost a music ethnologist, one friend said) and incorporated jazz rhythms into his poems. ‘He wedded poetry and music together,’ said Sharon Coleman, a poet and instructor at Berkeley City College ‘He brought music to poetry in a very integral way.'”

Read the whole thing here.